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November 25, 2005

Auto-promoción

Gracias a djd! por un retrato tan genial — y gracias también por no mencionar mis actividades como miembro secreto del Opus Dei, baterista ocasional en el Parque de la Ciutadella, y vendedor de cervezas en la Rambla de Raval.

November 24, 2005

Wheel's on fire

No one told me Jane was back on a regularlike basis, and spitting cinders. Ditto Woebot. Give thanks indeed.

Btw, there's no better way to spend a day where culture and the course of a year suggest you think hard about the concept of "thanks" than by waking late, sampling patio homegrown, and taking a long stroll through the adopted city of your own choosing, where light and old stone seem to have forged some kind of compact to make everything, for once, seem permanent and within reach.

November 23, 2005

Qué descontrol, Schwarzy

... as my housemate Omar said. You will have seen this video by now, but it's worth watching again, just to salute the dancers who forcibly remove Arnie's hands from their asses, and to quease at the off-camera look that his first interviewer throws out like a distress signal. I don't mean to say that misogyny and racism should be some kind of aesthetic pleasure -- only that the universe of reason cracks wide open when you consider that this man is now the governor of California, and that's not a feeling you get very often.

Not Hawtin

sleeparchive1.gif
I don't know where the rumors that Sleep Archive is really Richie Hawtin (or Mika Vainio, or a collaboration between the two) got started; Google proved fruitless on that front. It is not, however, either of the two; despite the sonic signature. Sleep Archive is Berliner Stefan Metzger, formerly of Düsseldorf. He lives and works in Kreuzberg and as his distribution and sweatshirt will show, he's tight with the Hardwax crew. (Must be really tight: Saturday night, after the above photograph was taken, he was performing in a Hardwax t-shirt.)

But the above isn't the whole truth: Metzger may or may not be a stage name; before becoming Sleep Archive, he ran a label called A.D.S.R. and recorded under the alias Skanfrom for labels like Suction, Morr, and City Centre Offices. (Metzger wanted to keep the connection under wraps, so that listeners wouldn't unduly read his IDM past into his techno present, but discogs.com already uncovered the link.)

To make matters more confusing, Sleep Archive may or may not be all Metzger. If "Infrared Glow," the most recent EP, sounds different from the first three, well, there's a reason for it: it's someone else. Who, exactly, Metzger's not saying. "Another shy guy from Berlin," he says, laughing over his apple pie.

There's no doubt that Sleep Archive is going for a particular kind of throwback identity: the sound of the records, obviously, goes back to Vainio's arctic techno and Plastikman's sparsest moments. But the rhetoric behind the label as well — not a total anonymity, but a veneer of it, plus the hand-stamped sleeves — evokes a moment where faceless techno bollox was something to be prized, strived for. (Working in the shadow of Hardwax, run by the mysterious Basic Channel crew, obviously makes this image easier to keep up.) And in an industry full of self-promoters, Metzger is refreshingly cynical without being bitter. He believes that remixes have more to do with marketing than aesthetics (while he's done several now, for Regis and Monolake, among others, he won't offer up his own tracks for remixes); and he claims that Sleep Archive will never release outside the Sleep Archive label. (He hedges a bit when conversation moves to Jeff Mills: he would, he admits, release on Axis, if asked.) Even if the ultra-autonomous, DIY, slightly suspicious-of-the-world stance feels, at times, like a contrivance, I'm glad he's pursuing this path. Techno's too glammed up as it is; it needs a little more anonymity, a little more mystery. Metzger hints at a coding behind the coloring of the Sleep Archive vinyls. When the palette expands beyond the current clear, black, and blue, we'll know that more mysteries are in store.

November 17, 2005

Lost and found

Para los hispanohablantes: great interview with Matias Aguayo up at Chile's Super45.